You add a valid point.....
HYMNS were typically written for congregations to sing.... a grand mixture of voices (most of whom can't sing very well)... they are songs written for worship by the congregation. IMO, it seems a LOT of "contemporary" and "praise" songs were actually written for some "star" to sing, written for a soloist (or at most a small semi-professional group). The result is that they often aren't easy to sing for a whole congregation.
My "problem" with so many of these newbie "Christian" songs is not the music (which may or may not be good, but then that applies to Traditional hymns, too) but the lyrics. Which are often empty, highly emotional, individualistic ("me, me, me") and lacking any Law or Gospel. If they are void of the Word, they aren't likely to be used by the Holy Spirit. And getting to focus OFF universaal, objective truth to individualistic emotion is a dangerous thing, IMO. Again, there are "Traditional" hymns that are at fault in that way, too.
- Josiah
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You make a great point about the notion of songs being designed for performance as much as congregational singing. To follow on from it, I think when churches do end up being more about entertainment than congregations taking part another danger is that it creates the same kind of high/euphoria that you'd expect at any other concert. But since it happens inside a church building people are then sold the line it's a move of God when really it's nothing more than an emotional response to the music. I've thought for some time now that when you can predict with 95% accuracy when all the hands in church will go up, chances are it's a response to the music rather than a response to the Holy Spirit moving.
The real danger with the euphoria being confused with a move of the Holy Spirit (or, worse, people being actively told that it is the Spirit moving) is that people end up chasing emotional highs thinking they are seeking God, and people end up spending Monday morning wondering what they did wrong to cause the Spirit to leave them. If you sing of God's love on Sunday but the feeling is gone by Monday, chances are what you felt was an emotional high.
An example of the use of music to guide emotions is from the song
In Christ Alone - this verse starts with instruments muted if not silenced:
There in the ground his body lay
Light of world by darkness slain
(instruments come in full force here)
Then bursting forth in glorious day
Up from the grave he rose again
(boost volume of instruments, watch for the hands going up)
And as he stands in victory
Sin's curse has lost its grip on me
I quite like the song overall, I just find it concerning the way that particular verse tends (in some churches at least) to feature a musical score that seems designed to generate an emotional response, and noticed it in particular because of the way hands were raised across the church at exactly the same time, every time.